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Cityscape gallery 3. Description and prise list.
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Title: Provence. France. Street scene. Oil painting on canvas size: 55 x 37 cm. prise : € |
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Title: La Mascote. France. Paris restaurant. Oil painting on canvas size: 41 x 32 cm. prise : € |
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Title: Casares. Old town. Spain. Oil painting on canvas size: 60 x 40 cm. prise : € |
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Title: Narrow street. India. Oil painting on canvas size: 41 x 37 cm. prise : Sold |
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Title: Paris street scene. France. Oil painting on canvas size: 32 x 18 cm. prise : € |
News archive: Newsletter we have received from various art websites.
SouthwestArt
New Mexico landscape painter J. Chris Morel considers himself one of the lucky few for whom the paths of making a living and making art have successfully merged. Many times throughout his career, Morel could have taken
a more commercial path. But
his passion for fine art and his love of landscapes have always won out, and they continue to guide him along the artistic path he follows today. “I wanted to follow my gut, my own path,” says Morel.
The Collecting of African American Art David C. Driskell
David C. Driskell, artist, collector, and emeritus professor of art history, University of Maryland at College Park; in conversation with Ruth Fine, consulting curator of special projects in modern art, National Gallery of Art
Highly respected as an artist, art historian, curator, and teacher, David C. Driskell’s life as a collector is less well known. In this lecture, Ruth Fine and David C. Driskell discuss publicly for the first time the expansive range of his art acquisitions, which he started to collect during his years as an art student at Howard University in Washington, DC. Among the treasures in Driskell’s collection are old master and modern European prints, antique rugs, African sculpture, and works by African American masters from the 19th century through the present.
Landscapes of the Heart
Renato Muccillo, the Canadian-born son of Italian immigrants, has had a fits-and-starts path to a full-time art career. Though driven to draw and paint from an early age, his career has been interrupted and punctuated by “more practical” approaches to making a living, from his years training as a cook and working for banks to time spent working for the Law Society of British Columbia. Today, the Vancouver-based artist creates emotionally charged landscapes mirroring his upper-Northwest.
The editors of the Pastel Journal, The Artist’s Magazine, and Watercolor Artist bring together some of the most talented artists working in the acrylic medium today to bring you this second issue of Acrylic
Artist. Inside you’ll meet Katherine Chang Liu, Alastair Adams, Carol Staub, and more, and discover their preferred materials, their working methods, and what inspires them. Acrylic Artist also includes plenty of practical instruction, expert tips, and more innovative ideas to bring new dimension to your art.
The January issue of Southwest Art explores figurative art, one of the most lauded forms of art throughout the ages, from Michelangelo and Caravaggio to Degas and Renoir to the more recent Wyeths and Edward Hopper. With the recent return to, and renewed appreciation for, representational art, more figurative artists are emerging from American ateliers and universities. As part of this rich tradition, we introduce you to 32 artists adding their brushwork and sculptural forms to the mix, such as R.E. Roberts, whose THE MATHEMATICIAN is shown here these artists celebrating the beauty of the human form.
